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BEST SELLING PRODUCTS
Custom Cherry Tub-a-phone! This was a custom order that was canceled partway though the build and now available for sale!
Featuring:
12″ cherry rim with Tub-a-phone tone ring, figured cherry 25.5″ scale neck, richlite fingerboard, vintage headstock, and vintage heel. Additional features include a S-scoop, double point shoes, relic brass hardware and renaissance head! Comes with Cherry Armadillo armrest installed.
This banjo has a wonderful, unmistakable Tub-a-phone tone and great volume! Installed with PBCO clawhammer strings.
Case options: Access Padded Gig Bag w/ PBCO Logo or TKL Hard Case
Signature required for delivery. Carrier will be UPS or USPS.
Rare custom lefty Dobson available! This was a custom order that was canceled halfway though the build and now available for sale!
Featuring:
12″ walnut rim with dobson tone ring, walnut 26 3/16″ scale neck, richlite fingerboard, vintage headstock, and vintage heel. Additional features include a Hawktail tailpiece, S-scoop, JB Schall bracket shoes, relic brass hardware and renaissance head!
This banjo has a wonderful tone with plenty of plunk AND volume. Installed with PBCO clawhammer strings. Add one of our handmade, Armadillo Armrests, and we will be happy to install it for you!
Case options: Access Padded Gig Bag w/ PBCO Logo or TKL Hard Case
Signature required for delivery. Carrier will be UPS or USPS.
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought (read the rest…)
Keep your beverages cool with our new koozies! Featuring original artwork by artist Sarah Koff with Pisgah Banjo Co logo featured on the opposite side. These are great for camping at your favorite festival or simply using around the house while you relax with a cold one.
By Kristina R Gaddy (Author), Rhiannon Giddens (Foreword by) An illuminating history of the banjo, revealing its origins at the crossroads of slavery, religion, and music. In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo’s key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, (read the rest…)
These Vega Style Wire Armrests give the look and feel of vintage armrests from the turn of the century. Made in raw brass, they are made to match an 11″ rim, but can be carefully bent to fit other sizes including banjo ukuleles. These armrests are fully adjustable and can sit high or low above the banjo head, depending on your needs. Easy to install, this armrest attaches to your existing brackets. All that is needed for installation is a bracket wrench that fits the size of your tension nuts. Can be used by both right and left handed players.
These banjo bridges are made in Maple with Ebony top and available in a variety of heights. Standard spacing for 5 string banjo.
Banjo bridge innovation just raised the bar! These beautiful “Fiddle Banjo Bridges” from Seeders Instruments are handmade using quarter sawn Maple and Ebony. It takes influences from the traditional violin bridge and its unique sound and vibration transferring principles. Every bridge has hand carved details and a compensated center string for improved intonation. Add one to your banjo bridge collection. It’s a joy to play!
The Pocket-Dial is a simple, convenient and precise tool used to help measure and adjust the tension of your banjo head – one of the most critical factors in helping your banjo sound its best. It is small, lightweight, fits easily in your banjo case, and is specifically designed to work with both synthetic and natural skin banjo heads.
*This product will ship separately.
Banjo Roots & Branches – Edited by Robert B. Winans tells the story of the banjo’s journey from Africa to the western hemisphere. Blending music, history, and a union of cultures, Winans presents cutting-edge scholarship that covers the instrument’s West African origins and its adaptations and circulation in the Caribbean and United States.
The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo’s introduction into the African- and Anglo-American folk milieus.
Wide-ranging and illustrated with twenty color images, Banjo Roots & Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados.